Raveena Tandon was the critical material girl inside the ’90s. Even today, humans recognize her more for her item range Tu cheez badi hai mast mast than for the jobs she did. But all that is converting now. Her overall performance in her OTT debut, Aranyak, is triumphing her plaudits and awards galore. She’s displaying the world she may be a dependable actress too and now not just someone introduced to fill within the glamour quotient. Her fanatics are loving her in this new avatar and are asking for more. In this candid interview, the actress talks approximately each beyond and gift and is hopeful of becoming bigger and higher in destiny.
Your OTT debut, Aranyak, has garnered favourable evaluations.
I wanted to do some thing extraordinary with Aranyak. I didn’t want to behave inside the identical stereotypical manner that others had perceived me. It turned into a threat for me. I had many large-scale offers that went on to end up huge successes. And all of a sudden I was asking myself, ‘I hope I even have not made the incorrect desire. I wish this can pay off.’
Actresses are getting greater vast roles on OTT.
It’s helping anybody. For instance, OTT is supplying our person actors a tonne more opportunities to polish. It is excellent due to the fact they may be now not constrained to gambling a single minor man or woman; instead, they play protagonists and different splendid roles. You can discover a variety of stories on OTT, and each tale has a particular area of interest target market. Because there is a selected target market for it on OTT, the manufacturers are not under any strain for it to perform well at the box-workplace. Because of this, in my opinion, human beings are experimenting with numerous forms of narratives.
You stepped forward from glam doll roles to roles that require extra of you as an actor. How did that trade come about?
That was a deliberate choice made in 2000. I changed into beginning to feel stereotyped and glued in the equal roles. I figured I became able to extra. I attempted to see what else I could do apart from just carry out Akhiyon se goli maare. Then came a spate of films, Satta, Daman, Shool, Jaago, Ghulam E Mustafa, Aks. Though Aks became extra glamorous, it changed into absolutely performance-orientated, and that 12 months I gained the Filmfare Award. I become stagnating around 1998–1999. And I wanted to do some thing more. I desired to push the bounds and spot what more I should do. I’ve loved every project that has come my way.
That ought to were a difficult transition.
My father always taught me that once a child first learns to walk, he falls lots but he doesn’t just take a seat there. He stands up, gathers himself and relearns how to walk until he can walk together with his head held excessive. That is what you must do: choose yourself up and stroll with your head held excessive.
What demanding situations you as an actor?
The position is extra essential to me than the appearance. I need to get dressed the element; I cannot be myself in that role; I must be that character. Sharmila Ji and Shabana Ji paid me the best compliments after seeing Aranyak. “There appeared to be no Raveena Tandon, you were Kasturi Dogra.” These had been the two first-class compliments I obtained. That is what’s important to me.
Tell us about the Nineties. We used to listen about catfights among actresses…
No, that became all media created. I consider the Nineteen Nineties saw plenty of yellow journalism. There were severa lies being published. We’re all buddies nowadays. Madhuri, Juhi, myself, Shilpa, Neelam, Lolo. We’re all on each other’s Instagram these days and rooting for each different. Their magazines would now not promote if they wrote “Raveena and this one are buddies”, “Raveena and this one are fighting, Juhi and Madhuri are combating,” now that used to sell their magazines. So thank God for social media nowadays, in which you could put out every type of proof proper in the front of human beings. At that point, you had been at their mercy. You used to beg and plead that this turned into the wrong story; please don’t cross in advance with it.